Night of the Living Dead
Directed by George A. Romero
They Won't Stay Dead!
Released | October 4, 1968 |
Global Box Office | $30m |
Budget | $114k |
A group of strangers trapped in a farmhouse find themselves fending off a horde of recently dead, flesh-eating ghouls.
Starring Judith O'Dea, Duane Jones, Marilyn Eastman... Show All
- Judith O'Dea - Barbra
- Duane Jones - Ben
- Marilyn Eastman - Helen Cooper
- Karl Hardman - Harry Cooper
- Judith Ridley - Judy
- Keith Wayne - Tom
- Kyra Schon - Karen Cooper / Corpse in House
- Charles Craig - TV Newscaster / Zombie
- S. William Hinzman - Zombie (as Bill Heinzman)
- Bill Cardille - Self - Field Reporter (as Bill 'Chilly Billy' Cardille)
- John Simpson - Zombie
- George Kosana - Sheriff McClelland
- Frank Doak - Scientist
- A.C. McDonald - Zombie / Posse Member
- Samuel R. Solito - Zombie / Posse Member
- Mark Ricci - Washington Scientist
- Lee Hartman - Zombie / News Reporter
- Ross Harris - Newscaster/Zombie
- Steve Hutsko - Self - Cardille's Cameraman/Zombie
- Phillip Smith - Zombie / Posse Member
- Randy Burr - Zombie / Posse Member
- Jack Givens - Zombie
- Richard Ricci - Zombie
- Rudy Ricci - Zombie
- Paula Richards - Zombie
- Herbert Summer - Zombie
- William Burchinal - Zombie
- Al Croft - Zombie
- Jason Richards - Zombie
- Dave James - Zombie
- Sharon Carroll - Zombie
- William Mogush - Zombie
- Joann Michaels - Zombie
- Ella Mae Smith - Zombie
- George A. Romero - Washington Reporter
- John A. Russo - Washington Military Reporter
- Russell Streiner - Johnny
- Richard France - Zombie
Reviews
Spoilers ahead
John Scoleri, historian:
[Night of the Living Dead is] a classic that has inspired countless imitators, and spawned a sub-genre that continues to be exploited today in film, television, books and video games.
Romero’s claustrophobic vision of a late-1960s America literally tearing itself apart rewrote the rules of the horror genre, combined gruesome gore with acute social commentary, and quietly broke ground by casting a black actor (Duane Jones) in its lead role.
Elliott Stein, Village Voice:
In this first-ever subversive horror movie, the resourceful black hero survives the zombies only to be killed by a redneck posse, and a young girl nibbles ravenously on her father’s severed arm—disillusionment with government and patriarchal nuclear family is total.
Jon Towlson, BFI:
No other film of the 60s captured the allegorical moment so completely. At the time of Night of the Living Dead’s release, it seemed that America was, itself, at the point of collapse. Apocalypse was happening and there was no reversing it.