His quick cuts, odd camera angles, and, of course, wild points of view—most notably a Steadicam perversion dubbed "The Shakycam," in which two cameramen run around with the camera mounted on a board—have since become benchmarks by which many quirky films are measured.
[…]
Raimi is one of the most deliriously kinetic directors around.
Matt Ford, BBC:
[His] kaleidoscope of stop-motion animation, unbelievable point-of-view shots, trembling hand-held camera, rotating sets, bizarre lighting, and chase scenes has now been endlessly imitated, and pastiches crop up in everything from TV ads to music videos.
Owen Gleiberman, Bostom Phoenix:
His movies don’t give you the heebiejeebies. They climb the walls all by themselves.